Archived Programs

Free streaming
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Am stram vidéogramme is a program created by Benjamin R. Taylor as part of Vidéographe's invitation to the artist.

 

Documentary
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Comprised of works hand-picked by members of the Vidéographe team, video of the month explores Vidéographe's vast collection and offers insight into the team behind the centre. New month, new video.

Video Art
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Comprised of works hand-picked by members of the Vidéographe team, video of the month explores Vidéographe's vast collection and offers insight into the team behind the centre. New month, new video.

Video Art
to

Comprised of works hand-picked by members of the Vidéographe team, video of the month explores Vidéographe's vast collection and offers insight into the team behind the centre. New month, new video.

Documentary
to

Comprised of works hand-picked by members of the Vidéographe team, video of the month explores Vidéographe's vast collection and offers insight into the team behind the centre. New month, new video.

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Altering Urban Ecologies was curated by Ylenia Olibet as part of rew/ff, Vidéographe's research and creation residency for emerging curators. This residency program is intended to support early-stage curators to develop a new project and, in so doing, acquire new skills and knowledge to enrich their practice. 

Video Art
to

Comprised of works hand-picked by members of the Vidéographe team, video of the month explores Vidéographe's vast collection and offers insight into the team behind the centre. New month, new video.

Experimental
to

Comprised of works hand-picked by members of the Vidéographe team, video of the month explores Vidéographe's vast collection and offers insight into the team behind the centre. New month, new video.

Documentary
to

Comprised of works hand-picked by members of the Vidéographe team, video of the month explores Vidéographe's vast collection and offers insight into the team behind the centre. New month, new video.

Free streaming
to

Sophie presents Me at the zoo, a program that portrays a gluttonous system through six art videos made between 1990 and 2010. Taking as a point of departure the idea that the video clips that proliferate on the internet are a fast-growing product of consumerism mirroring by the uncontrolled flow of capital, the curator is interested in the aesthetic of the ephemeral content that is generated by users every day. The program follows an exponential and metaphorical trajectory, with the medium becoming increasingly abstract, as if the videos consume themselves.